Two days before Christmas, the Hi-Tone in Midtown Memphis was the scene of an all-star gala rap show with a live band, featuring many of Memphis’ best lyricists, old and new. The DJ and announcer for the occasion was none other than Radio Memphis‘ DJ Bay, and the line-up of performers included such Memphis icons as Tori Whodat, Al Kapone and Frayser Boy, as well as guest appearances from Memphis veterans like DJ Zirk. But there were also some outstanding new artists in the house, including a new Memphis rapper named Wala Wyse who was quite impressive, as well as the solo debut of Tune C, Al Kapone’s long-time hype man and a former member of the 1990’s hip-hop group NationWide. Tune performed his new single “Naturally”, one of five recent songs that have been recorded toward his upcoming album The Great Flood. Also fun was an impromptu collaboration between the band’s drummer and DJ Bay during an extended break between live acts. Such drum/DJ duets have caught on in markets like New York, Vegas and Miami, but have not been seen as often in the Memphis market. Altogether, it was a cheerful holiday tribute to our city’s hip-hop past and future.
While the annual Memphis Music and Heritage Festival was going on downtown, the On Location: Memphis Film and Music Festival was also taking place in Overton Square and in the Cooper-Young neighborhood. The music showcases were held in the basement of Cooper-Walker Place, and featured great Memphis musicians from all genres. Memphis hip-hop star Jason da Hater was on stage when I arrived, followed by a new local rock band called One Word. Then Tori WhoDat performed, along with Preauxx and other members of the TRDON camp. Perhaps the highlight of the afternoon showcase was 4 Soul’s performance, with Otis Logan on drums, and extraordinary Memphis vocalist Tonya Dyson fronting Memphis’ premiere neo-soul band. Over at Studio on the Square, a large crowd was watching a preview screening of an upcoming movie called The Man in 3B, with the filmmaker present. Altogether it was a great year for On Location: Memphis on its first Labor Day weekend.
Every once in awhile, a corporation does something worthwhile, and certainly Red Bull’s Sound Select tour with Run The Jewels fits the bill. Run the Jewels is a collaboration between Killer Mike and El-P, and when my homeboy Matt Sonzala told me to come out to Minglewood Hall in Memphis to check them out, I invited my homeboy Tune C and we headed down there. To my amazement, the place was absolutely packed, and many of the people there were like a who’s who of the Memphis recording industry, including rappers Ify, Tori WhoDat and Jason Da Hater, singer Tonya Dyson, and legendary engineer and producer Boo Mitchell. The opening act was a thoroughly gangsta crew from Dallas known as the Outfit, and for a gangsta-style group, they were decent. But it was the Run The Jewels performance that everyone came for, and it was very impressive indeed. Tune and I had hung out with Mike in Atlanta last year, and we got a brief chance to catch back up with him after the show. It was truly a momentous night for Memphis hip-hop.
Keep up with Run the Jewels:
https://www.facebook.com/therealrunthejewels Tweets by runjewels
https://itunes.apple.com/us/album/run-the-jewels-2/id927052864 Tweets by killermikegto
http://killermike.bandcamp.com Tweets by therealelp
One of the more important Thursday night showcases at A3C was called Double Cupped Fears, an event held at Space 2 on Edgewood Avenue and sponsored by TRDON, the record label/production company that works with Memphis rapper Preauxx, Select-O-Hits, and Travis McFetridge’s Great South Bay Music. The rather diverse line-up included hip-hop lyricists like J. Sands and Planet Asia, relatively new lyrical Memphians like Tori WhoDat and Preauxx, and classic Memphis headliners like Lil Wyte, Frayser Boy and Miscellaneous. Unfortunately, the showcase got under way about thirty minutes late, and as a result, was cut short at 2:30 AM, when the venue said they were required to close due to a city ordinance. But Lil Wyte and company left the crowd hyped and eager for more.
On Friday July 18 at the new Hi-Tone in Memphis, a group of Memphis rap artists came together to celebrate the city and its rap legacy in a concert entitled “Memphis As F@#k”, based on the popular local T-shirts of the same name. Like the “Grit and Grind” slogan of the Memphis Grizzlies organization, this saying is a defiant expression of pride in a rough, predominantly-Black, working-class city. DJ Witnesse got things off to a good start with plenty of classic soul and rap on the ones and twos, and then a local artist named Trackman started things off, followed by the female artist Tori Whodat, who has been getting some attention here this year. Knowledge Nick, who came on after her, is arguably Memphis’ best exponent of classic hip-hop, as opposed to street rap, and performed a number of anthemic songs over smooth, mellowed-out backing. But the headliner of the evening was Memphis legend Al Kapone, who was inspired enough by the Memphis As F@#k shirts to compose a song of the same name, and who was joined on stage by his homeboy Tune C, and then by a cast of Memphis legends, including Mr. Sche, DJ Zirk, Frayser Boy and Skinny Pimp. Like a pep rally for those of us who love Memphis, the night ended in nothing but good vibes and good fun.
After the show was over, Al Kapone got me backstage where I was able to hang out with a lot of the performers, and I even briefly got to meet Snoop Dogg. Ultimately, all the people from the film headed off to dinner at some place on South Congress, so I headed out walking, trying to decide where I wanted to eat.