After getting off work, I changed clothes, packed my car and headed out Interstate 55 into Mississippi. My friend, the trombonist Edward Jackson had asked me to come to New Orleans and record on his album, so I decided to head down for the weekend, passing through a fair amount of rain as I headed through Jackson and into Louisiana. When I got to New Orleans, my friend Darren Towns, the bass drummer for the To Be Continued Brass Band told me that they were heading to a gig at a club on St. Bernard Avenue, so I met them there, and afterwards he and I headed to the Port of Call on Esplanade for a steak dinner. But it was TBC’s second gig of the evening that I had been looking forward to, a birthday party at midnight at the Sportsman’s Corner uptown on the corner of Second and Dryades. The place was literally standing room only, and TBC brought the kind of energy they always bring, particularly when they are playing for the hood. After about a 20-minute set for the 100 or so people that were inside the club, they headed back outside and disbanded. It was my first time inside this bar, which serves as a headquarters to the Wild Magnolias tribe, and it was an awesome brass band experience in my favorite city.
From Pop’s House of Blues, the second-line made its way down Dryades to the corner of Second and Dryades, where it disbanded in a huge crowd in front of the Sportsman’s Corner, an Uptown lounge that I have heard is a location for Black Indian practices. The music continued for some time after reaching the end of the line, and the groove is kept up not only by the band, but by the ad hoc percussionists from the crowd who are playing empty bottles with sticks, or cowbells that they brought with them. One such man tells me that he is the “Bottle Man”, but I suspect there are numerous “bottle men” in this second-line and every other. Unfortunately, as things were breaking up, I faced a dilemma, as this was my first second-line that disbanded at a different place than it began, and in fact, four miles away. Already I was dead tired, and the prospect of a four-mile walk back to the Calliope projects didn’t particularly appeal to me. But this proved to be one of those seeming problems that often has a simple solution in a magical city like New Orleans. Since I knew some of the Stooges Brass Band members, I asked them how they were getting back to the Calliope where they began, and one of them told me that they and their instruments would ride back on the tailgate of his truck. So in beautiful, late afternoon 66-degree weather, instead of a long, tiring walk, I got a ride back to the projects (and my car) with members of one of my favorite New Orleans brass bands. The day could not have ended any better.