Last year marked the first time we had organized a large outdoor birthday party for Hill Country bluesman R. L. Boyce, and that first picnic, with limited promotion and budget, attracted an amazing crowd of 500 people. This year, with the involvement of Amy Verdon of Fancy Magazine and Go Ape Records, we were able to plan the event on a slightly bigger level, and despite the threat of rain all around, we enjoyed great weather and a larger attendance.
The event, held on Friday August 17 to avoid conflict with the Hill Country Boucherie and Blues Picnic which was being held on Saturday, began with an exhibit opening of photography by Como artist Yancey Allison, who has been documenting the Hill Country blues for many years. Live music began in nearby Como Park at 6 PM, with the performers being documented this year by the Memphis-based Beale Street Caravan radio show. A crowd of around 600 braved the threat of rain to enjoy fife and drum bands like The Hurt Family and Sharde Thomas and the Rising Star Fife and Drum Band, and blues and soul artists such as Andrea Staten, Kody Harrell, Joyce “She-Wolf” Jones, Cameron Kimbrough, Lightnin Malcolm, Kinney Kimbrough, Willy and the Planks, Dee Walker and Duwayne Burnside. Several times, the guest of honor, R. L. Boyce made his way to the stage to perform, and on one of those occasions the crowd joined in singing “Happy Birthday” to him.
In addition to the five hours of some of the best Hill Country blues and soul, attendees also enjoyed free hamburgers, hot dogs and smoked sausages until they were gone.
It appears that the R. L. Boyce Picnic will be a major event in Como, Mississippi for many years to come.
Each October, the City of Como, Mississippi sponsors a large, daylong festival and picnic called Como Day, featuring vendors, food trucks, custom cars and excellent live music. Como Day is one of a number of “town days” that are held in predominantly-Black Mississippi towns. These are held throughout the year, generally bear the name of the town, feature live music, and often become an excuse for those who moved away to return home for a day or a weekend. Although most small towns have some sort of festival, these town days are unique, functioning almost like a homecoming for these communities, many of which no longer have high schools due to consolidations, and which have lost many residents to bigger cities. Como’s massive day is one of the largest, and also serves as something of an annual end to the blues festival season, as the last big blues event of the year. Uniquely situated at the place where the Hill Country meets the Delta, Como has a long blues tradition, and its local gospel, blues, soul and funk are highlighted at Como Day each year.
This year’s Como Day featured a crowd of well over a thousand people, coming out to enjoy barbecue, live gospel music, Sharde Thomas and the Rising Star Fife and Drum Band, the Duwayne Burnside Band featuring Garry Burnside and J. J. Wilburn, Deandre Walker and his band, and the headliner Terry Wright from Memphis, whose single “I Done Lost My Good Thing” has been popular in the Mid-South for more than a year. I was particularly impressed by Deandre Walker, a former gospel singer, who delivered a very soulful reading of a country song “Tennessee Whiskey”, which he then blended seamlessly into Etta James’ timeless “I Would Rather Go Blind.” Such epiphanies are the rule rather than the exception at Como Days, as are the elderly townspeople who suddenly feel young enough again to get low to the ground as the bands or the drummers are playing. Perhaps the whole day was best summed up by the slogan on the back of many of the T-shirts: “Together We Stand.”
Although the Friday night shows had been harassed by storms, no such problem occurred on the Saturday of the North Mississippi Hill Country Picnic. In fact the day was a bright sunny blue one, with fairly cool temperatures compared to what we had been having, and it was the perfect setting for a full day of Hill Country blues. The gates had opened with R. L. Boyce at 10:30 in the morning, but by the time I arrived, Joseph Burnside was on stage, with Duwayne and Garry Burnside backing him up. He was followed by Bill Abel, then Cary Hudson of the band Blue Mountain, and finally Sharde Thomas and the Rising Star Fife and Drum Band from the Gravel Springs community near Senatobia, one of the last Black fife and drum bands in America. Garry Burnside and his band went up on stage after that, and then I left to go to dinner at Lamar Lounge in Oxford. In addition to the live performances, there were lots of arts, crafts and clothing for sale at various tents up on the hill, and a raffle, which was being held to raise money for a gravestone for the late bluesman Robert Belfour. And the whole day’s proceedings were broadcast live by New Orleans’ superb radio station WWOZ.
While registering for the Southern Entertainment Awards at Resorts Casino in Tunica, I looked on my phone and saw where a concert of Hill Country blues was taking place at the Powerhouse Community Arts Center in Oxford. The weather had gotten really bad, with high winds, thunder and lightning, but I decided to drive over that way from Tunica, stopping for dinner at the Oyster Bar in Como. The concert had already started when I got to Oxford, and Sharde Thomas was on stage with the Rising Star Fife and Drum Band. I learned that the event was being held for the attendees of the Southern Literary Festival, which was being held on the Ole Miss campus nearby. After the fife and drum band, Hill Country blues legend Duwayne Burnside came on stage with his band, including David Kimbrough Jr on drums, and played a selection of traditional and modern blues songs, getting the most applause for his reading of his father’s “See My Jumper Hanging Out On The Line.” (The strange title of that song had always mystified me, until I read recently that rural women who were cheating on their husbands used to hang a man’s jumpsuit on their clothesline as a signal to their boyfriends that the coast was clear and they could come over). Duwayne Burnside was followed by the Rev. John Wilkins, whose style of gospel is largely based on the music of Hill Country blues, despite the religious tone of the lyrics. Although I had seen all the performers elsewhere in the past, it was an exciting and enjoyable performance.
At any blues event, the arrival of Sharde Thomas and the Rising Star Fife and Drum Band holds the crowd’s attention, and nowhere is this more true than at events at the Otha Turner homestead at Garvel Springs. The fife and drum band marches onto the grounds and through the crowd, drawing a trail of enthusiastic second-liners behind it.