Robert Kimbrough Sr. is one of three musician sons of the legendary bluesman Junior Kimbrough, and in recent years he has been the most prolific and ambitious of the three, releasing several albums, performing frequently with his band the Blues Connection, and helping to organize an annual Kimbrough Cotton Patch Soul Blues Festival each May in Holly Springs, Mississippi. Recently, on a Friday evening, he brought out his new band to Rooster’s Blues House on the square in Oxford, Mississippi, for a night of what he terms “cotton patch soul blues.” Although Kimbrough can play his father’s hits, and usually obliges the crowd’s desire for the seminal “All Night Long”, much of his shows are given to his original compositions, which straddle the fence between the style that many musicologists call “hill country blues” and a more modern southern soul. Songs such as “Battlefield” are typical, with a strong driving beat provided by drummer J. J. Wilburn, formerly of the band Old Grey Mule. The club was filled to the rafters, despite the chilly and foggy weather outside, and the sizable crowd enjoyed themselves immensely, until the early closing time, that apparently was precipitated by it being spring break week. On the other hand, the utter desolation of the square after the clubs closed was remarkable and unexpected. We were told it was due to the students being out of school for the break.
Robert Kimbrough Sr. calls his style of music “cotton patch blues”, but he is the son of one of the biggest legends of what blues scholars often call Hill Country blues, Junior Kimbrough. The Hill Country is generally considered to be Marshall, DeSoto, Tate, Panola, Lafayette and Benton Counties, and perhaps the most important city in the region is Oxford, the home of the University of Mississippi. Music fans in Oxford love the cotton patch or Hill Country styles of blues, and they often go to Rooster’s Blues House when regional blues artists are booked, so there was a large, enthusiastic crowd on a Friday night in September when Robert Kimbrough performed with his band the Robert Kimbrough Sr Blues Connection. Kimbrough treated the crowd to a mix of original compositions and Junior Kimbrough standards like “All Night Long”, and the dance floor in front of the stage stayed full. It was a great way to kick off a big Oxford football weekend.
Even though I love the blues, and even though I have been to Oxford so many times, somehow I had never been to Rooster’s Blues House. Despite the club’s name, they often book rock and roll rather than blues, but when Sherena Boyce told me that my favorite Hill Country guitarist Duwayne Burnside would be playing at Rooster’s on a Saturday night, I was eager to go. Duwayne’s show followed another big football weekend in Oxford, and Rooster’s was crowded, although not necessarily as crowded as I had expected, and the crowd was remarkably attentive and respectful. Garry Burnside was holding down the bass chair, and Sherena Boyce eventually joined Duwayne on stage to dance and play the tambourine. All too soon it was 12:30, and things came to a halt, but it was a great time with some great music.
Friday February 6 was some kind of special day for blues apparently, because there were blues performances everywhere. Ori Naftaly was at Lafayette’s Music Room in Memphis, Duwayne Burnside was at the Blue Monkey in Memphis, Leo “Bud” Welch was at Rooster’s Blues House in Oxford, Albert King Jr and the Final Touch Band was at Ground Zero in Clarksdale, Anthony “Big A” Sherrod was at Club 2000 in Clarksdale, and Bill Howl-N-Madd Perry was at Red’s Lounge in Clarksdale. Choosing between all of these great options was hard, but I finally decided to head for Clarksdale, stopping first at Sardis, Mississippi in order to enjoy a pizza at the superb Tribecca Alley Cafe, and then heading across the Delta on Highway 6. I had intended to check out the Albert King Jr. performance at Ground Zero, but when I first arrived in Clarksdale, I could hear a loud rock-influenced band playing elsewhere downtown, and since I could hear the Hill Country blues influence in it, I started looking for it. At first, I thought that the band was playing in an old warehouse on Sunflower Avenue, but it soon became clear that the sound was bouncing off that building and was coming from somewhere on Delta Avenue, so I walked around the Ground Zero club and found that they were playing in the new Delta Blues Alley Cafe, which is the former Club Vegas across the street from Ground Zero. It cost me $10 to go inside, and I proved to be the only patron, but the duo that was playing was Greenville, Mississippi drummer Stud, the nephew of the late T-Model Ford, and a Native American guitar player named Cactus from South Dakota who periodically hitchhikes to the Delta each year to play. They sounded good, and I spent some time checking them out before I finally headed back across the street to Ground Zero.