Joyce She-Wolf Jones is the mother of up-and-coming blues guitarist and drummer Cameron Kimbrough, but she is also a talented vocalist and song-writer in her own right, and each August, she puts on a traditional Hill Country blues picnic in the front yard of her home near Bethlehem, Mississippi, a wide spot in the road south of the Marshall County town of Potts Camp.
August is typically a hot month, and there had been strong thunderstorms at Holly Springs when I came through, but the weather was quite pleasant when I arrive at Joyce’s modest home along the rural highway. The smell of barbecue was in the air, and former Soul Blues Boy Little Joe Ayers was on stage. Everybody was having a good time, despite the ominous flashes of lightning to the north. Joe soon launched into a skillful version of Willie Cobbs’ classic “You Don’t Love Me,” a standard blues that doesn’t get heard all that often in the Hill Country. The crowd was loving it.
As the night progressed, we got to hear Cameron on drums, Lightnin Malcolm, Duwayne Burnside and R. L. Boyce, as well as Cam’s cousin Kelly Payson on vocals, and of course, our hostess Joyce She-Wolf Jones herself, who sang a couple of her original songs.
With good food, plenty to drink, great music, and the rain staying away, it was a perfect evening in Mississippi’s Hill Country.
Since the death of the legendary fife and drum musician Othar Turner, his granddaughter Sharde Thomas has done stellar work in preserving that musical tradition, as well as the Rising Star Fife and Drum Band which Turner started, but in addition to the annual GOAT Picnic in August which she sponsors, she has occasionally looked for other opportunities to throw festivals. The new Rising Star JuBallLee this June was held at Cherry Place, a rural complex out from Waterford, Mississippi, and the event seemed geared to the fans of the annual Fool’s Ball, a three-day music festival held every fall at the same location. The venue is a strange one, a former restaurant located in front of what appears to be a horse track and rodeo complex with a grandstand, although it is unclear to what extent the facility is used anymore. Occasional rock, country, blues and Latin events are held outdoors at the site during the warmer months, and this event was very warm indeed, coinciding with some of the hottest weather of the entire year.
The event kicked off around 6 PM with the members of the Rising Star Fife and Drum Band playing in front of the stage, and then Memphis folk/blues/soul songster Moses Crouch appeared. He was followed by the North Mississippi blues/rock band Woodstomp, which features Kody Harrell, a guitarist who has occasionally played with Duwayne Burnside. Sharde and her drummers appeared again after Woodstomp’s performance, and then the band Solar Porch from Isola, Mississippi came on stage. But by that point, heat and fatigue had taken a toll on me. I headed back to Holly Springs and grabbed a late breakfast at the Huddle House before hitting the road back to Memphis.
Authentic blues in an authentic environment is hard to come by these days, and when the Memphis juke joint Wild Bill’s closed in December, it became just that much harder to find. But in Holly Springs, Mississippi, on the occasions when The Hut is open, great blues musicians hold forth for a local crowd in the kind of rough, non-descript setting that is appropriate.
The Hut is a former American Legion post in the Black community of Holly Springs. Located near the intersection of West Valley Avenue and Boundary Street, it is a small, white building set down in a ravine far from the street, a structure which looks as if could only hold about a hundred people. Yet it is cozy, has a kitchen, has ample graveled parking, and on a recent Friday night was full to the rafters, with the great Robert Kimbrough Sr. on stage as I walked in.
Robert, a son of the late Junior Kimbrough, is a favorite musician around these parts, but despite all the enthusiasm for his performance, the order of the night was to highlight female blues performers, an event organized by Fancy! Magazine owner Amy Verdon called “Lady’sNight at The Hut.” The original band consisted of Robert Kimbrough, J. J. Wilborn and Artemas Leseur, aided occasionally by Johnny B. Sanders, who had come up from Jackson. These men backed singers Iretta Sanders, and Lady Trucker, whose performances brought many dancers out, including R. L. Boyce’s daughter Sherena. There were also a number of visitors from other parts of the country who traveled to Holly Springs to see the show. Robert Kimbrough came back on stage to close out the first set with a version of his dad’s song “You Better Run”, and then the band took a break.
Unfortunately, during the intermission, two women in the crowd got to fighting, which led to the police being called, and an early end to the evening, as a lot of people chose to leave. But that too has always been part of the blues. Authenticity is not for the squeamish.
Due north of Marshall County, the quintessential county of the Mississippi Hill Country is Fayette County, Tennessee, which perhaps could be considered Tennessee’s only Hill Country county as such. Geographically and demographically similar to the county in Mississippi below it, Fayette should have been a hotbed of blues, and apparently was, but was much less studied than its Mississippi counterpart. Otherwise, the two counties are remarkably similar, right down to their charming county seat towns with courthouse squares that could be the setting for some epic movie of the American South. Holly Springs in Marshall County is known for its Blues in the Alley events each Thursday night in July and August, so when Fayette County began announcing Music on the Square events on Thursdays in September, I decided to drive out to Somerville and see what was going on. The weather was beautiful and perfect for such an event, and a crowd of about a hundred people had gathered on the northwest corner of the courthouse square along Market Street, where a stage had been set up. There were cookies and lemonade provided by local business sponsors, and some custom cars and trucks had been parked closer to Fayette Street on the west side of the square. Unfortunately, the band that had been chosen to play on this particular Thursday was a country band, and country music is not my cup of tea, but at least this particular country band was from Fayette County, and had a certain rock edge to their style. Somewhat disappointed in the music, I spent the rest of the evening walking around the tiny downtown in Somerville, snapping pictures of a number of landmarks before heading back to Memphis. Even so, the court square makes an excellent background for live music performance, and those who attended had a great time.
Benton County, Mississippi is due east of Marshall County, and was once a part of it, having been carved out of it and Tippah County by the state legislature during Reconstruction. Demographically similar to the county it was taken out of, Benton is a part of the Mississippi Hill Country, although sparsely populated and somewhat poorer than the other Hill Country counties. Although many great musicians came from Benton County, including Willie Mitchell, Syl Johnson, Joe Ayers and Nathan Beauregard, there has never been a live music scene in the county, mainly for the simple fact that Benton has always been a dry county, and remains so today. Such music as there has been has usually been held at private events such as picnics and yard parties.
However, over the last month or so, Robert Kimbrough, one of the sons of blues legend Junior Kimbrough, has been holding yard parties/jam sessions at his house just outside the Benton County seat of Ashland. The somewhat remote location is an opportunity to hear the music in a setting more like where it originated, in an era where “clubs” or even “juke joints” were still unknown. The atmosphere in the yard is easy going, with musicians taking turns going on stage and then coming off to enjoy food and drink. Musicians like J. J. Wilburn, G-Cutta, Little Joe Ayers and even Robert’s brother David Kimbrough occasionally come through and sit in. Fans bring lawn chairs and sit in the lawn while the musicians play under the carport roof. It’s all a rather informal affair. However, the weekend schedule for these events is somewhat erratic, as it depends on Robert’s touring schedule, so if you want to attend, follow Robert on Facebook here so that you know when and where his events are occurring. (I won’t put his address here publicly, although he occasionally does put it on Facebook. Follow him for details on where and when to go).
If you travel due north from Holly Springs in Marshall County, Mississippi, you will come to Fayette County, Tennessee, a rather similar county in many respects. Both counties once were extensively cotton-growing regions, both have rugged, hilly terrain, and both have overwhelming Black majorities. But while Marshall County, Mississippi is known for the Hill Country blues, Fayette County, Tennessee has remained little known for music. Bengt Olsson spent some time there in the 1970’s, recording obscure musicians like Lattie Murrell. One afternoon of recording at a bootlegger’s house near Somerville yielded an incredible album that has recently seen release on the Sutro Park label out of San Francisco, which owns all of Olsson’s field recordings. The Tennessee State Archives found fife-and-drum musicians in Fayette County in 1980, recording Ed Harris, Emanuel Dupree and James Tatum both in Fayette County and at the Chickasaw State Park Folk Festival. But aside from Mississippi Fred McDowell, whom most people associate with the town of Como, Mississippi, few blues artists from Fayette County have any degree of fame.
Yet, much like Marshall County to the south, Fayette County is a hotbed of blues, and the best place to experience it is at an authentic club on Highway 76 between Moscow and Williston called Saine’s Place.
On Highway 76, north from Moscow, Saine’s appears on the left-hand side of the road as a low, lighted building with plenty of cars out in front. Occasionally, barbecue smoke fills the air nearby. On the first Saturday of each month, the club features a live band, the Hollywood All-Stars from Memphis, featuring Big Don Valentine and Booker Brown. The Hollywood All-Stars have a long, venerable tradition in Memphis blues, and on the night I came, the band had a horn section consisting of trumpet and saxophone, and sounded very good indeed. But would-be visitors need to be aware that Saine’s is technically not open to the public, as signs at the front make perfectly clear. Admission is by permission (the club is officially “members only”), and costs $10. Charles and Terry Saine, the owners, seem welcoming to visitors, but do not permit photography or videography in their club, so be respectful and leave the cameras at home. That rule is something of a pity, though, as Saine’s offers an authentic, rural blues experience that is really not available elsewhere, certainly not in Memphis. The music consists of blues, soul and Southern soul,and by midnight, the dance floor is full. At one in the morning, the party showed no signs of winding down. For true fans of the blues, Saine’s Blues Club is not to be missed.
Saine’s Place AKA Saine’s Blues Club AKA Club Saine’s
4515 Highway 76
Moscow, TN 38057
Live music is the first Saturday night of each month, starting about 9 PM
Club open with a DJ at other times.
Holly Springs and Marshall County, Mississippi are a frequent destination for blues tourism. Two of Mississippi’s greatest blues families, the Burnsides and the Kimbroughs are from the county, and Foxfire Ranch, the Blues in the Alley concert series, and the North Mississippi Hill Country Picnic attract blues fans, particularly during the summer months. But up until recently, tourists wanting an upscale dinner had to make their way to Oxford or to the Memphis area. That changed in July with the opening of Marshall Steakhouse on Highway 178 between Red Banks and Holly Springs.
Marshall Steakhouse is as much a destination as a restaurant, featuring a truly-massive park-like setting that includes an outside stage and plenty of seating. On the night of my visit, a bluegrass group was playing on the stage to a small crowd.
The restaurant, which had only been open a week, was incredibly crowded, with probably around fifty or more people waiting for seating. But, to my surprise, I suppose because I was only one person, I was seated immediately. It needs to be noted however that there are no small, intimate tables for two, and that parties of one or two are usually seated at the opposite end of a long table from other guests. Although Marshall Steakhouse is not cheap, they have some very reasonably-priced entrees, including two cuts of sirloin. I ordered the small sirloin, and was quite impressed with its flavor. Sirloin steaks can be tough, but this one was extremely tender, and easy to cut. The yeast bread was hot and delicious, and the baked potato was very good as well. I was also impressed by the fact that the price of my steak included all the accompaniments as well, something that is definitely not the case at a lot of steakhouses these days. I have to mention too that Marshall Steakhouse has a challenge- a 72-ounce steak with salad and baked potato that is free if a person can finish ALL of it within an hour. If not finished within an hour, it costs $89! I have not heard whether anyone has taken the challenge, and whether anyone has actually won it. As for the service, it was friendly, but fairly erratic, with lots of people being offered other people’s orders, but that is not necessarily surprising one week in. Corrections were made promptly, and everybody made happy. One thing to note, though- the Marshall Steakhouse is not a place to be caught up in your cellphone. Made entirely out of metal, the building is a true deadzone inside, and most phones get no signal. There is currently no public wi-fi. But there is plenty of decor, and large-screen televisions hanging from the walls. Besides, who stays buried in their phone at dinner anyway?
Marshall County, Mississippi is recognized as the home of the Hill Country blues, and the home of its two greatest exponents, Junior Kimbrough and R. L. Burnside. So it was entirely fitting that this year, one of Junior’s sons, Robert Kimbrough, put together an event to celebrate the life and legacy of his father, the Kimbrough Cotton Patch Blues Festival. Over several days, the event featured an exhibition of photographs at Rust College in Holly Springs, a guitar workshop, a jam session and a Sunday afternoon concert on an outdoor stage adjacent to the old VFW Hut on West Valley Avenue. On Mother’s Day afternoon, with impeccable weather, a crowd gathered to enjoy authentic Hill Country blues from Robert Kimbrough Sr. and the Blues Connection, Little Joe Ayers (who had played with Junior), Dan Russell, Memphis Gold, Cameron Kimbrough, Leo Bud Welch, R. L. Boyce with Carlos Elliot Jr and Lightnin Malcolm, and the Kimbrough Brothers, featuring Robert, Kinney and David Kimbrough. Young drummer and guitarist Cameron Kimbrough is a grandson of Junior and son of drummer Kinney Kimbrough, and was especially impressive on drums with Memphis Gold and Leo Bud Welch. Altogether, it was an amazing day of some of the best blues Mississippi has to offer.
Marshall County, Mississippi and its county seat of Holly Springs are ground zero when it comes to the subgenre known as Hill Country blues. After all, the style’s two greatest stars, Junior Kimbrough and R. L. Burnside were from the county, and largely pursued their music careers there for the better part of their lives. As such, there is potential for blues tourism in Holly Springs, and the powers that be there have been slowly attempting to capitalize on it, sponsoring a weekly summer event during the months of July and August on Thursday nights called Blues in the Alley. On previous years, this event has showcased a lot of local and regional talent, including R. L. Burnside’s sons Duwayne and Garry, and Junior Kimbrough’s sons David and Robert, as well as Little Joe Ayers, and other blues musicians steeped in the Hill Country style. A stage is set up on the courthouse square, and on average, several hundred people show up to dance, party and enjoy the music.
Unfortunately, this year was different. When the event kicked off on June 30, Potts Camp legend Kenny Brown was on stage, and he had invited his friend Duwayne Burnside to perform as well.A crowd of several hundred people turned out to enjoy the kickoff, which was capped by a fireworks display. A week or two later, Lightning Malcolm, also familiar to Hill Country fans was the featured artist. But sadly, that was as good as it would get this year. As the summer stretched on, it became apparent that the festival organizers did not intend to book Duwayne or Garry Burnside (Duwayne ultimately appeared at Foxfire), nor Cedric Burnside (who played at New Albany’s Park on the River on July 2), nor David or Robert Kimbrough (Robert played a Sunday evening at Foxfire later in the summer), nor Little Joe Ayers. In fact, as the festival booked unknown bands like the Around The Corner Band, and out-of-town groups like the Juke Joint Three, something even more disturbing became apparent. For the most part, this year’s Blues In The Alley was booking only white artists. In fact, by the time the festival ended on September 1 with Gerod Rayborn, as best I could determine, only two Black artists had been featured all summer, and one of them, Oxford’s Cassie Bonner, is a singer/songwriter and not a blues artist at all. Ultimately, the programming choices affected attendance, which was way down, and skewed the crowds that did show up racially, with far fewer Blacks choosing to attend the weekly event. And this was all the more noticeable, as Holly Springs and Marshall County have a large Black majority. Sadly, it seems there is no way this was coincidental. Local Marshall County artists that are world-famous were passed over in favor of unknown (but white) bands from somewhere else. Although I asked a number of my friends in Holly Springs if they had heard any reason for the drastic change in booking policy, no justification for the change was ever readily forthcoming.
Ultimately, if Holly Springs wants to capitalize on its blues legacy as Clarksdale has managed to do, it must choose to become far less race-conscious as a town. The organizers of Blues in the Alley must understand that the Kimbrough and Burnside names are known all over the world, and that these are the artists that need to be booked if the goal is to get people to visit Holly Springs from other states or other countries. There’s nothing wrong with booking highly-talented white blues artists with impeccable Hill Country credentials like Lightning Malcolm, Kenny Brown or Eric Deaton. But Holly Springs and Marshall County are predominantly-Black, and Blues in the Alley should offer something for the Black majority as well…particularly if public funds are being expended. Otherwise, there may eventually not be a Blues in the Alley at all.
Although this year’s Blues In The Alley line-up of performers was largely disappointing, to say the least, the weekly summer concert series in Holly Springs ended on a high note last Thursday night with Memphis southern soul artist Gerod Rayborn, who is also president of the Beale Street Corvette Club. Needless to say, many of his club members came to the square in Holly Springs with their beautiful cars, and a significantly larger crowd showed up than what I had seen on previous weeks. The crowd was also more exuberant, with a lot more dancing and jooking, and it almost seemed like the vibe from previous years of the event. After a brief intermission, then another blues band from Memphis took the stage, Fuzzy Jeffries and the Kings of Memphis, and the crowd partied long past the usual ending time of 10 PM. Here’s hoping that the event organizers will book more of these kind of artists next year.