This is the second year of the Kimbrough Cotton Patch Blues Festival, which celebrates the legacy of Junior Kimbrough and his sons David, Robert and Kinney, and this year’s festival, held on Mothers’ Day, was hot weather-wise, and musically as well. Rather than being held inside The Hut in Holly Springs, where the Friday night jams had taken place, the Sunday afternoon line-up was held on a large stage outside, where a crowd enjoyed a number of familiar and not-so-familiar blues artists, including the Hoodoo Men from Nashville (I had not heard of them, but was pleasantly impressed), Cameron Kimbrough, Joyce Jones, R. L. Boyce, juke joint dancer Sherena Boyce, Eric Deaton, Lucious Spiller, and of course the Kimbrough Brothers. Also of interest was a new beer called Kimbrough Cotton Patch Kolsch, named in honor of the Kimbrough family, and released by the 1817 Brewery out of Okolona, Mississippi. These folks also have something called “Hill Country IPA,” and are one of a number of new microbreweries springing up in Mississippi and elsewhere in the South. Since I had to work the next day, I was not able to stay until the end of the festival, which I was told came about midnight or so, but year 2 of the Kimbrough Festival was a rousing success.
Robert Kimbrough Sr. calls his style of music “cotton patch blues”, but he is the son of one of the biggest legends of what blues scholars often call Hill Country blues, Junior Kimbrough. The Hill Country is generally considered to be Marshall, DeSoto, Tate, Panola, Lafayette and Benton Counties, and perhaps the most important city in the region is Oxford, the home of the University of Mississippi. Music fans in Oxford love the cotton patch or Hill Country styles of blues, and they often go to Rooster’s Blues House when regional blues artists are booked, so there was a large, enthusiastic crowd on a Friday night in September when Robert Kimbrough performed with his band the Robert Kimbrough Sr Blues Connection. Kimbrough treated the crowd to a mix of original compositions and Junior Kimbrough standards like “All Night Long”, and the dance floor in front of the stage stayed full. It was a great way to kick off a big Oxford football weekend.
Although Proud Larry’s is first and foremost a rock club, Oxford, Mississippi is deep in the Mississippi Hill Country, and has been the scene of many a classic blues performance. Nearly all the greats of the Hill Country have performed there, including the great Junior Kimbrough and R. L. Burnside. So it came as no surprise that they kicked off the Labor Day weekend with a Friday night appearance by R. L. Burnside’s son Garry, with his band featuring Kody Harrell of Woodstomp, singer Beverly Davis, and Cedric Burnside on drums, followed by Eric Deaton, a bluesman who learned the Hill Country style from time spent playing with R.L. Although the holiday weekend had many entertainment options, the club was surprisingly full, and the crowd unusually attentive, considering that all too often, young Oxford crowds view the music as background to serious drinking. Both the musicians and the audience seemed to be enjoying themselves, and it was basically just a good time.
Benton County, Mississippi is due east of Marshall County, and was once a part of it, having been carved out of it and Tippah County by the state legislature during Reconstruction. Demographically similar to the county it was taken out of, Benton is a part of the Mississippi Hill Country, although sparsely populated and somewhat poorer than the other Hill Country counties. Although many great musicians came from Benton County, including Willie Mitchell, Syl Johnson, Joe Ayers and Nathan Beauregard, there has never been a live music scene in the county, mainly for the simple fact that Benton has always been a dry county, and remains so today. Such music as there has been has usually been held at private events such as picnics and yard parties.
However, over the last month or so, Robert Kimbrough, one of the sons of blues legend Junior Kimbrough, has been holding yard parties/jam sessions at his house just outside the Benton County seat of Ashland. The somewhat remote location is an opportunity to hear the music in a setting more like where it originated, in an era where “clubs” or even “juke joints” were still unknown. The atmosphere in the yard is easy going, with musicians taking turns going on stage and then coming off to enjoy food and drink. Musicians like J. J. Wilburn, G-Cutta, Little Joe Ayers and even Robert’s brother David Kimbrough occasionally come through and sit in. Fans bring lawn chairs and sit in the lawn while the musicians play under the carport roof. It’s all a rather informal affair. However, the weekend schedule for these events is somewhat erratic, as it depends on Robert’s touring schedule, so if you want to attend, follow Robert on Facebook here so that you know when and where his events are occurring. (I won’t put his address here publicly, although he occasionally does put it on Facebook. Follow him for details on where and when to go).
Marshall County, Mississippi is recognized as the home of the Hill Country blues, and the home of its two greatest exponents, Junior Kimbrough and R. L. Burnside. So it was entirely fitting that this year, one of Junior’s sons, Robert Kimbrough, put together an event to celebrate the life and legacy of his father, the Kimbrough Cotton Patch Blues Festival. Over several days, the event featured an exhibition of photographs at Rust College in Holly Springs, a guitar workshop, a jam session and a Sunday afternoon concert on an outdoor stage adjacent to the old VFW Hut on West Valley Avenue. On Mother’s Day afternoon, with impeccable weather, a crowd gathered to enjoy authentic Hill Country blues from Robert Kimbrough Sr. and the Blues Connection, Little Joe Ayers (who had played with Junior), Dan Russell, Memphis Gold, Cameron Kimbrough, Leo Bud Welch, R. L. Boyce with Carlos Elliot Jr and Lightnin Malcolm, and the Kimbrough Brothers, featuring Robert, Kinney and David Kimbrough. Young drummer and guitarist Cameron Kimbrough is a grandson of Junior and son of drummer Kinney Kimbrough, and was especially impressive on drums with Memphis Gold and Leo Bud Welch. Altogether, it was an amazing day of some of the best blues Mississippi has to offer.
The Levitt Foundation is a non-profit organization dedicated to supporting live music opportunities in America, especially outdoor performances. Well-known to Memphians as the organization that helped save the Overton Park Shell, the foundation runs shells and other outdoor stages in a number of American cities, and sets up summer concert series in many more. This year, the Levitt Foundation announced a Summer Music Series in New Albany, Mississippi, taking advantage of the city’s recently renovated Park Along The River (the river in question being the Tallahatchie). On July 2, the series brought the Hill Country blues to New Albany with performances by Oxford-based Cadillac Funk, and then the Cedric Burnside Project, featuring Trenton Ayers (son of Little Joe Ayers) on guitar. A fairly large crowd showed up for the two-hours-worth of funk and blues, with dancers filling up the space in front of the stage. As is his custom, Cedric started his set out with several acoustic guitar songs before moving to the drums and inviting Trenton Ayers to join him. In its more hardcore, electric form, the Cedric Burnside Project performs a large repertoire, from originals that feature a Hill Country edge, to many of the songs made famous by Junior Kimbrough and Cedric’s grandfather, the late R. L. Burnside, such as “Firemen Ring The Bell” and “Goin’ Down South.” All too soon, the show was over, and the crowd was left asking for more.
Although Clarksdale is in the Delta, visitors to the Juke Joint Fest love some Hill Country blues as well, and the Robert Kimbrough Blues Connection band is popular with the fans. Robert is one of the sons of the late Junior Kimbrough, who together with R. L. Burnside helped define the style known as Hill Country blues. Besides annual appearances at Juke Joint Fest, Robert Kimbrough performs frequently in and around Holly Springs in Marshall County.
Fans of the unique Mississippi style of blues known as Hill Country blues are of course very familiar with Marshall County, as it was the home of both Junior Kimbrough and R. L. Burnside, arguably the two most important Hill Country bluesmen. And they are probably also familiar with the Foxfire Ranch at Waterford in Marshall County, where a superb summer schedule of live blues occurs nearly every Sunday at 5 PM, under a shelter known as the Hill Country Pavilion. But this year, the Hollowell family, which owns the ranch, decided to sponsor an all-day concert of blues, and somewhat surprisingly, chose to do it in March, which is slightly earlier than the start-up of the festival season, which generally occurs in April.
Although the weather can be chilly and unpredictable in March, this year’s inaugural Foxfire Blues Festival was warm and pleasant, with plenty of sunshine. A large portable stage had been set up in the valley at the back of the large hill on which the pavilion stands, and a moderate crowd sat on blankets on the hillside, enjoying performances by Little Joe Ayers, Bill “Howl-N-Madd” Perry, Heavy Suga and the Sweet Tones, The Duwayne Burnside Band, Kenny Brown, Christone “Kingfish” Ingram and Lightning Malcolm. For a first-time festival, the event was fairly well-attended, it rolled smoothly, and the crowd enjoyed a beautiful day of great music.
Think of Mississippi Blues and you are likely to think of the Delta. The long highways and crossroads, the endless flat land, broken only by the occasional bayou, small towns, juke joints and Robert Johnson. But there was also blues in Northeast Mississippi, the Hill Country, particularly in Marshall County, and the style of blues in that region was an especially primitive and basic form of the music that perhaps has more in common with the music of West Africa than any other African-American music form. Hill Country blues is based around guitar drones and repetitive patterns that seem to almost induce trance. Unlike the Delta blues, Hill Country blues remained largely unknown until the late 1960’s, with some awareness coming through the rediscovery of Mississippi Fred McDowell in Como. The efforts of George Mitchell and Dr. David Evans to make field recordings led directly to the discovery of the two great figures of Hill Country blues, Junior Kimbrough and R. L. Burnside, both from Marshall County, whose records in the 1990’s made Hill County blues familiar to people all over their world. Since their deaths, their children have endeavored to continue the tradition, and so there is a growing interest in Holly Springs for blues tourism. Every Thursday night, from July through the end of September, there is live blues on an outdoor stage on the Marshall County Courthouse square. It is usually well-attended each week, but all the more so when one of the county’s favorite sons is appearing, such as guitarist Duwayne Burnside. On this particular night, Duwayne was joined by his brother Garry Burnside on bass, and by his nephew Cedric Burnside on the drums, and they proceeded to give the audience a musical history of the blues, venturing into any number of different styles, and covers from as diverse a collective as R. L. Burnside, Stevie Ray Vaughan, Albert King, B. B. King and Tyrone Davis. Duwayne has always been one of the great living blues guitarists, but over the last two months or so, he seems to be hitting a new stride, playing some of the best music of his life. And to watch his face while on stage is to see the sheer joy of creation in progress.
On my way to Holly Springs, Mississippi for a blues event, I decided to travel a slightly different way in order to check out the town of Hudsonville on Highway 7, intriguing to me as it was the place where the legendary Hill Country bluesman Junior Kimbrough was from. Unfortunately, not much of Hudsonville is left. There’s one small store at a crossroads on Highway 7 outside the town, but if one follows the road to the railroad tracks, there are only ruins of a couple of buildings beside the railroad track, which is itself abandoned as well. Because the buildings are in such poor shape, it is impossible to tell what they were. One appears to have perhaps been a store, and the other, maybe a railroad building of some sort. A short distance away is one other building, in relatively good shape, which a sign says is a polling place for local elections. Other than that, there is nothing left of Hudsonville at all.