Each October, the City of Como, Mississippi sponsors a large, daylong festival and picnic called Como Day, featuring vendors, food trucks, custom cars and excellent live music. Como Day is one of a number of “town days” that are held in predominantly-Black Mississippi towns. These are held throughout the year, generally bear the name of the town, feature live music, and often become an excuse for those who moved away to return home for a day or a weekend. Although most small towns have some sort of festival, these town days are unique, functioning almost like a homecoming for these communities, many of which no longer have high schools due to consolidations, and which have lost many residents to bigger cities. Como’s massive day is one of the largest, and also serves as something of an annual end to the blues festival season, as the last big blues event of the year. Uniquely situated at the place where the Hill Country meets the Delta, Como has a long blues tradition, and its local gospel, blues, soul and funk are highlighted at Como Day each year.
This year’s Como Day featured a crowd of well over a thousand people, coming out to enjoy barbecue, live gospel music, Sharde Thomas and the Rising Star Fife and Drum Band, the Duwayne Burnside Band featuring Garry Burnside and J. J. Wilburn, Deandre Walker and his band, and the headliner Terry Wright from Memphis, whose single “I Done Lost My Good Thing” has been popular in the Mid-South for more than a year. I was particularly impressed by Deandre Walker, a former gospel singer, who delivered a very soulful reading of a country song “Tennessee Whiskey”, which he then blended seamlessly into Etta James’ timeless “I Would Rather Go Blind.” Such epiphanies are the rule rather than the exception at Como Days, as are the elderly townspeople who suddenly feel young enough again to get low to the ground as the bands or the drummers are playing. Perhaps the whole day was best summed up by the slogan on the back of many of the T-shirts: “Together We Stand.”
I was late in getting to the second day of the King Biscuit Blues Festival because I had visited the massive Coldwater Trade Day sale in Coldwater, Mississippi first, but what I found when I arrived in Helena was not much different than what I had seen the night before. If anything, the daylight revealed more of the deterioration and dilapidation that has overtaken downtown Helena, including perhaps the most shocking ruin, an old motel on Walnut Street with shattered windows and gutted rooms. I did manage to catch a few decent blues acts, including the Jesse Cotton Stone Blues Band on the stage at Thad Kelley Courtyard, and Hill Country great Duwayne Burnside at the Lockwood Stage on Rightor Street near Bailee Mae’s Coffee. Behind him came the Phillip Stackhouse Band, which drew the largest crowd I had seen all day, including some enthusiastic dancers out in the street in front of the stage. Afterwards, the barbecue fest seemed to be winding down, and there were literally no other acts I had ever heard of scheduled to appear, so, although I considered trying the new Southbound Tavern for dinner, I decided to leave and drive down to Sumner, Mississippi to the Sumner Grille for dinner instead. At Sumner, there was some sort of an outdoor music concert in the square, with a country-rock band performing, but the restaurant itself wasn’t very crowded, and I my filet mignon was delicious as always.
Como, Mississippi is a town that sits on the border between the Mississippi Delta and a region known as the Hill Country. The styles of blues from each region are distinct, but elements of them meet in this historic location, famous for both guitar blues,Black fife and drum band music, and gospel singers and musicians. All of these influences shaped the young R. L. Boyce, who began playing drums for his uncle Othar Turner’s fife and drum band in the late 1960’s. Boyce turned 62 this year, and to celebrate his birthday, his daughter organized a large picnic in Como Park featuring barbecued hamburgers and hot dogs, and a line-up of the best regional blues musicians. The evening’s festivities kicked off with an incredible gospel singer and guitarist named Slick Ballenger, who was mentored by both Othar Turner and R. L. Boyce, and as Boyce was a long-time drummer in fife and drum bands, it was appropriate that there were two fife and drum bands at the picnic, the Hurt Family from Sardis, Mississippi and Sharde Thomas’ Rising Star Fife and Drum Band. It was possibly the first time the Hurt Family had performed in a place other than their own family picnics near Sardis, and eventually Willie Hurt was playing the fife with Sharde’s band as well. As the evening progressed, Kody Harrell, R. L. Boyce, Duwayne Burnside, Dre Walker, Greg Ayers and Robert Kimbrough all performed on stage until things came to a halt about 11 PM. The first annual R. L. Boyce Picnic drew a crowd of about 600 people, and gave Como something it has not had in many years, a true blues festival.
Each year, Clarksdale becomes the center of attention in the blues world, as fans come from all over the world for the Juke Joint Festival. Although the official festival is only one day, events surrounding it now stretch over four days, and hotels are sold out for more than 75 miles in any direction. Unfortunately, this year, for the first time in memory, the festival was adversely affected by wet weather, showers that continued for much of the morning and early afternoon. Nevertheless, there were still significant crowds at many of the stages, and by the afternoon, the showers had begun to exit the area. In addition to the vendors of artwork, cigar-box guitars, books and more, attendees enjoyed performances by Lightnin Malcolm, the Cedric Burnside Project, Carlos Elliot, the Andre Otha Evans Fife and Drum Band, Garry Burnside, Duwayne Burnside, R. L. Boyce and many other performers from the Hill Country, the Delta, South America, Europe and other parts of the United States. This year also saw a larger number of stages and participating venues. One unfortunate trend this year however was the tendency of local restaurants to offer special, highly-limited menus for guests because of the Juke Joint Festival. We found that as a result, we often could not order what we wanted, and had to settle for things like burgers. I suppose the goal was to make things easier on the kitchen staff, but it ended up making things harder or at least less pleasant for the attendees. Still, it was a day of good music and good fun.
Although Clarksdale’s Juke Joint Festival is technically only a one-day festival, the events surrounding it run over the course of four days. This year on Friday night the center of attention was Bluesberry Cafe, which featured performances by Duwayne Burnside and his band, followed by Colombian Hill Country musician Carlos Elliot Jr and Como legend R. L. Boyce. Despite the small stage, they were joined by Boyce’s daughter Sherena (a juke joint dancer) and Joyce Jones, the newest female voice in Hill Country blues. Despite the heavy rain outside, there was a significant crowd in the venue, and everyone had a great time.
After the Duwayne Burnside performance on Sunday night, we went for a late-night breakfast at the St. Charles Tavern, one of a handful of 24-hour restaurants along the streetcar route on St. Charles Avenue uptown. The place was crowded in the wake of the Mardi Gras parades, balls, concerts and music events, but the service was relatively quick for the level of crowd, and the breakfast food was really good.
About eight hours later, we woke up and checked out of the condominium on Oak Street where we had been staying. We walked up the street to the Oak Street Cafe for breakfast, and as usual, the place was crowded. But because it was Lundi Gras, they were serving a special and extremely-limited menu, unfortunately. Still we managed to get a brunch, and then headed out on the way back to Senatobia and Memphis, stopping briefly in Ponchatoula. In Jackson, wanting seafood, we stopped at Drago’s, a New Orleans favorite that has since expanded to Jackson, and the workers were busy decorating the restaurant for Mardi Gras as we enjoyed our dinner of oysters and shrimp. It was fairly late when we made it back home, and I was glad that I was off work the next day.
Although New Orleans is my favorite city, and it was Mardi Gras weekend, we were in town primarily for a Duwayne Burnside concert that I was playing keyboards on, so we didn’t have the opportunity to really get out and enjoy the parades or other performances. In fact, the parades ended up being more of a bother, as they made it hard for us to get from our condominium to the venue. But where we were staying, on Oak Street, was remarkably quiet and empty on the Sunday afternoon, apparently because everyone was further down St. Charles along the parade route. The holiday also wreaked havoc on our food options, with some places closed altogether and others on three-hour waits. But Pizza Domenica is a great stand-by, as it is just about the best pizza in the city anyway, and usually open even on Sunday or at Mardi-Gras. When we arrived, it was largely empty, but after we were seated, it started quickly filling up with people who were making their way back from the parade, and the place went from dead to crowded in less than a half hour, but we were satisfied and comfortable as we headed to the show venue.
Duwayne Burnside had played The Shelter on Van Buren in Oxford, Mississippi earlier in the fall, but I had not been able to attend, so when it was announced that he would be playing there again on New Years’ Eve, I was eager to be there. It would prove to be both my first, and sadly my last, visit to The Shelter.
The venue was a coffee bar and live music venue, which also served a very limited food menu, some desserts, and craft beer. The atmosphere was extremely laid back, with couches, benches, chairs and tables in a rather haphazard pattern near the stage. The night of Hill Country blues featured not only Duwayne Burnside but also Kenny Brown, and a few local Oxford musicians, including guitarist Kody Harrell. At first Duwayne’s drummer had not shown up, so he was playing a sort of “unplugged” acoustic set. After his drummer arrived, he picked up the pace and intensity level to an extent, and the moderate crowd in the seats loved every minute of it. Como bluesman R. L. Boyce then joined Duwayne on stage for a few songs, and some local musicians came up to sit end toward the show’s end. At 10 PM or so, Duwayne brought things to a halt, as he had another show at The Hut in Holly Springs starting at 11, and we all left in a happy frame of mind. Unfortunately, it would be the last time we got to visit The Shelter on Van Buren. A week into the new year, it abruptly closed for good.
I love catfish, and I love blues music, so when a place puts them together, like Hernando, Mississippi’s new Catfish Blues restaurant, I am intrigued, to say the least. Because in its earliest days, the restaurant was running as a buffet only, I had held off on trying it, but finally my girlfriend and I decided we could delay no longer, and we were pleasantly pleased with what we found. Catfish Blues is located east of downtown Hernando, near the railroad tracks on Commerce Street in a building meant to resemble a train depot. The room is expansive and cheerful, with plenty of blues memorabilia on the walls, including pictures of North Mississippi stars like Duwayne Burnside and the Rev. John Wilkins, and there is plenty of room for live music, which typically happens on Saturdays. On the Friday night we visited, there was no live music, but the star of the show was catfish, which comes in two ways. The traditional catfish has the usual cornmeal batter, while the “Robert Pettiway” is a New Orleans-style breading which more resembles what you would get at Middendorf’s in Louisiana or Tug’s Casual Cafe in Memphis. Its name commemorates Robert Petway, the bluesman who first recorded the song “Catfish Blues.” Altogether we found the service cheerful and the prices fairly reasonable. If it wasn’t the absolute best catfish we had ever had, it was darn good, and overall a pleasant experience. We will certainly return.
210 E Commerce St, #8
Hernando, MS 38632
The Clifton Gin was a large building that loomed over the West End neighborhood of Hernando, Mississippi where many blues musicians lived and played their trade in nearby jukes. The Rev. Robert Wilkins, Gus Cannon and Jim Jackson all lived in the area for a time, and Mississippi Joe Callicott was from nearby Nesbit, Mississippi. Now each year, the city of Hernando commemorates that musical legacy with an event called the Front Porch Jubilee, held on the grounds of the historic gin, as part of Hernando’s larger Water Tower Festival. This year’s jubilee honored the legacy of the late R. L. Burnside, and members of the Burnside family were presented with a plaque. Performers included Jack Rowell and Triple Threat, Desoto County native Kenny Brown, who was mentored by both Joe Callicott and R. L. Burnside, Duwayne Burnside, Lightning Malcolm, rockabilly legend Travis Wammack, and R. L. Burnside’s grandson Cedric, performing with Trenton Ayers as the Cedric Burnside Project. In addition to the great music, there was a considerable amount of great food too, including some excellent pulled pork and the homemade ice cream from Senatobia-based Bliss. A warm afternoon turned to a chilly evening, but a stalwart crowd of about a hundred stayed to the end of Cedric’s last set. It was a great day of blues in Hernando.