Together We Stand: Como, Mississippi Celebrates Its Vibrant Legacy

“Can’t One Make One” read the shirts with the iconic image of the Como water tower on the front, and the legend “Together We Stand” on the back. The shirts are popular in this town, another way of saying “It takes a village. We can’t build this up as individuals.” The message of struggle is an odd twist in the 150-year history of this North Mississippi town, once home to the largest concentration of millionaires in the state.

Glimpses of that past are still visible in the stately homes that face the railroad track on the east side, whose porches look across to Main Street. One of them belonged to relatives of Tallulah Bankhead, and the future actress spent summers in Como in her youth. The house later belonged to a local artist, and was briefly lived in by Jimbo Mathus of Squirrel Nut Zippers fame. His Delta Recording Service was briefly located on Main Street across the tracks. 

But cotton, cattle and agriculture are no longer king, and Como today is a predominantly-Black town, and a singificantly poorer one than the Como of the last century. What it lacks in financial riches it more than makes up for in cultural riches, however. Como was home to legendary blues musician Mississippi Fred McDowell, and fife-and-drum musicians like Napolian Strickland. Gospel musicians like the Rev. John Wilkins (son of blues great Robert Wilkins) and the Como Mamas live here, as does the living Hill Country bluesman R. L. Boyce.  Downtown Como too has seen something of a renaissance in recent years, with great restaurants like the Windy City Grill and Como Steakhouse opening on Main Street, even a Thai restaurant. A new catfish place opened just a few weeks ago. 

Like many predominantly-Black towns, Como has a special day to celebrate its legacy, Como Day, which is held every year in October. The phenomenon is not unique to Como, but is found throughout the Delta in towns like Crenshaw and Tutwiler. A few of the events are called something else, like I’m So Greenwood in Greenwood, or Founder’s Day in Mound Bayou, but the vast majority are simply named for the town, as in Crenshaw Day or Como Day. The latter celebration is truly huge, with a day full of live music, Corvette cars and local vendors selling clothes, food and snacks. Music had started at noon, but when I arrived a band called the Southern Soul Band was on stage. They were quite good, but there was not a particularly large crowd in the park yet, as the weather was far colder than usual this year. At 5 PM, hometown favorite R. L. Boyce appeared on stage with Steve Toney on drums and Lightnin Malcolm backing him up. Boyce, who began as a drummer in fife and drum bands, is also an accomplished drummer in his own right, having played behind Jessie Mae Hemphill on a couple of her albums, and is also a self-taught guitarist, with some influence from Fred McDowell and R. L. Burnside. Compared to other Hill Country players, Boyce is largely unique, setting up a pattern of recurring, trance-like riffs over which he often improvises lyrics, based on people he sees in the crowd, or recent events. Hermetic and idiosyncratic, Boyce’s music is largely unaffected by music outside his own special system. 

Fife and drum music has a large history in Como. In fact, the first well-known fife and drum band in the modern era was dubbed the Como Fife and Drum Band when it played at the inaugural New Orleans Jazz and Heritage Festival in Congo Square in 1970. Napolian Strickland was the driving force behind this band, with the drummers often being John Tytus and Otha Turner. Otha’s granddaughter, Sharde Thomas, has continued the tradition with her grandfather’s Rising Star Fife and Drum Band, whose appearance hyped the crowd considerably Saturday evening.  Despite the ancient nature of this music, which pre-dates blues, there were plenty of people in the crowd ready to dance to it, even some young people. Fife and drum music on a moonlit night in North Mississippi seems like a right thing, something that is supposed to happen. It feels like a connection to a sacred past, a summoning of the ancestors. 

Behind the fife and drum band came Duwayne Burnside, joined by his nephew Kent Burnside who had come down from the Midwest for a Burnside reunion which was being held in Byhalia. Duwayne, son of the late R. L. “Rural” Burnside is continuing the legacy of his father. He is an amazing electric guitarist, who has managed to combine the Hill Country tradition with other influences, such as the electric guitar styles of Albert King, B. B. King and Stevie Ray Vaughan. Duwayne typically fronts a fairly large band, and is as comfortable singing Tyrone Davis or Bobby Womack tunes as he is Hill Country classics. He had likely been singing all day at the family reunion, and when he moved aside to take a break, Kent came up to perform a couple of tunes, including the iconic “Going Away Baby” AKA “Four Women” which was so beloved by his grandfather. 

Como Day is always anchored by a headliner, and this year it was Omar Cunningham, a southern soul star from Alabama. Unfortunately, the weather, which had been warmer during the late afternoon, turned bitterly cold in the space of about an hour, and also, Windy City Grill has curtailed their kitchen hours, ending food service at 10 PM. So, although I would have liked to have caught Omar’s set, I walked back over to Main Street instead to order a deep dish pizza at Windy City Grill, which was jampacked with football fans and others who had come over from Como Day. It was a satisfying ending to a great day celebrating a great town. 

Celebrating R. L. Boyce’s Birthday at Como, Mississippi

Last year marked the first time we had organized a large outdoor birthday party for Hill Country bluesman R. L. Boyce, and that first picnic, with limited promotion and budget, attracted an amazing crowd of 500 people. This year, with the involvement of Amy Verdon of Fancy Magazine and Go Ape Records, we were able to plan the event on a slightly bigger level, and despite the threat of rain all around, we enjoyed great weather and a larger attendance. 

The event, held on Friday August 17 to avoid conflict with the Hill Country Boucherie and Blues Picnic which was being held on Saturday, began with an exhibit opening of photography by Como artist Yancey Allison, who has been documenting the Hill Country blues for many years. Live music began in nearby Como Park at 6 PM, with the performers being documented this year by the Memphis-based Beale Street Caravan radio show. A crowd of around 600 braved the threat of rain to enjoy fife and drum bands like The Hurt Family and Sharde Thomas and the Rising Star Fife and Drum Band, and blues and soul artists such as Andrea Staten, Kody Harrell, Joyce “She-Wolf”  Jones, Cameron Kimbrough, Lightnin Malcolm, Kinney Kimbrough, Willy and the Planks, Dee Walker and Duwayne Burnside. Several times, the guest of honor, R. L. Boyce made his way to the stage to perform, and on one of those occasions the crowd joined in singing “Happy Birthday” to him. 

In addition to the five hours of some of the best Hill Country blues and soul, attendees also enjoyed free hamburgers, hot dogs and smoked sausages until they were gone. 

It appears that the R. L. Boyce Picnic will be a major event in Como, Mississippi for many years to come. 

Celebrating R. L. Boyce’s Birthday With A Picnic in Como


Como, Mississippi is a town that sits on the border between the Mississippi Delta and a region known as the Hill Country. The styles of blues from each region are distinct, but elements of them meet in this historic location, famous for both guitar blues,Black fife and drum band music, and gospel singers and musicians. All of these influences shaped the young R. L. Boyce, who began playing drums for his uncle Othar Turner’s fife and drum band in the late 1960’s. Boyce turned 62 this year, and to celebrate his birthday, his daughter organized a large picnic in Como Park featuring barbecued hamburgers and hot dogs, and a line-up of the best regional blues musicians. The evening’s festivities kicked off with an incredible gospel singer and guitarist named Slick Ballenger, who was mentored by both Othar Turner and R. L. Boyce, and as Boyce was a long-time drummer in fife and drum bands, it was appropriate that there were two fife and drum bands at the picnic, the Hurt Family from Sardis, Mississippi and Sharde Thomas’ Rising Star Fife and Drum Band. It was possibly the first time the Hurt Family had performed in a place other than their own family picnics near Sardis, and eventually Willie Hurt was playing the fife with Sharde’s band as well. As the evening progressed, Kody Harrell, R. L. Boyce, Duwayne Burnside, Dre Walker, Greg Ayers and Robert Kimbrough all performed on stage until things came to a halt about 11 PM. The first annual R. L. Boyce Picnic drew a crowd of about 600 people, and gave Como something it has not had in many years, a true blues festival.