Sunday morning, Darren Towns and I headed over to yet another new breakfast spot in New Orleans, this one in a familiar location, 139 South Cortez in Mid-City which was the original location of the Ruby Slipper, now a fairly-popular breakfast chain in New Orleans. The chain had let their original location go as they opened new locations closer to the tourist areas, but I was surprised to see that it had reopened in June as a new restaurant called Fullblast Brunch. Opening a breakfast restaurant in New Orleans would seem to be a foolhardy proposition, as the city seems to have more of them than any other place I have been, and yet, with few exceptions, they seem to fare well despite the obvious level of competition. One must conclude that New Orleanians absolutely love to eat breakfast out rather than at home. One of the things I find so special about the city as well is its tendency to have great restaurants on street corners in otherwise residential neighborhoods, a dynamic that is certainly true of the building where Fullblast is located. The restaurant is still relatively new, and to our surprise, we had no trouble getting a table at all. Both the food and the coffee were great, and although we enjoyed standard breakfast fare, we heard others rave about the crab cakes.
After breakfast, I wanted to head out along St. Claude Avenue to get some pictures of the neighborhood murals, which are another unique facet of New Orleans life. Every time I visit, it seems that new murals have appeared along the major thoroughfares, celebrating local hip-hop artists, Black history icons like Harriet Tubman, or the musicians and social aid and pleasure clubs of the 9th Ward. The latter mural particularly interested Darren, as it included a painting of TBC’s deceased saxophone player Brandon Franklin, who was from the 9th Ward, but I was somewhat shocked by a building on which seemed to have been painted the slogan “Support Murder.” I am well aware of the problems in America today, but I wasn’t expecting to see so stark and violent a message. But as it turned out, a crucial letter was hidden behind a telephone pole, and when we got closer, the slogan actually read “Support C-Murder,” the former No Limit Records rap artist, a sentiment that I agree with whole-heartedly.
Darren and TBC Brass Band were getting ready for a performance at some beer and barbecue festival at Wollenberg Park along the Mississippi River, but I had to get on the road and head back to Memphis. Leaving New Orleans is never easy for me, and it typical leaves me rather sad. However, I was able to stop at a Rouses in Ponchatoula, and load up on French Market and Mello Joy coffee capsules for my Keurig machine at home. I also picked up a pound of beans from a Baton Rouge coffee roaster called River Road Coffee Roasters, and was quite pleased with the results when I got home.
After the second-line, we were so hot when we got back to the car that I immediately started searching in my phone for ice cream options, and soon found a place listed on Prytania Street called The Creole Creamery. The location was a small business strip in an area I had somehow managed to miss all the years I had been going to New Orleans, and with the weather as hot as it was, the place was crowded. After enjoying some homemade ice cream, I realized that Sherena had never had an authentic New Orleans snowball (snowballs are nothing like snow cones, by the way), so I took her to Hansen’s on Tchoupitoulas Street, since that is the place that claims to have invented the snowball. Whether that is true or not, Hansen’s has been selling this frosty, New Orleans goodness for 75 years, and although I’ve had their snowballs many times before, this time I decided to act like a local and try the nectar flavor. I found it to be unique, and delicious, although I cannot really describe in words what it tasted like, and unfortunately, it is not a flavor you can get in Memphis. Later, we headed to Mr. Ed’s Oyster Bar and Fish House on North Carrollton Avenue in Mid-City for a seafood dinner on our last night in New Orleans. After dinner, I had wanted to head to a club in the Seventh Ward called Josie’s Playhouse in order to see the Big 6 Brass Band perform, but Sherena wanted to see Guitar Lightning Lee, who had opened up for her dad on a previous trip to New Orleans, so we headed to a dive bar on St. Claude Avenue called The Saturn and met him and his friends.
After the Rebirth Brass Band performance, I walked back through the crowds on Cherry Street in downtown Helena. Many of the vendors were beginning to take down their displays for the night, but there was still a lot going on. At an outdoor performance spot, a group of younger blues musicians was performing, and it was actually really good music. A sign nearby explained that the group was Mookie Cartwright, Josh Parks and Friends. I am not sure who any of them were, but presumably, they are local Helena area artists. After checking them out for a moment, I stopped in Southbound Pizza nearby for a pepperoni and bacon pie before making the drive back to Memphis.
This has been a relatively rough year for Memphis, and yet one of the more uplifting things I have noticed has been the spreading of neighborhood-based outdoor artworks and murals. While this has been going on for several years, it has virtually exploded this summer. I was not pleased with the demolition of the historic W. C. Handy Theatre in Orange Mound, but it did cheer me to see the orange-and-white public art on the bricks that remain from the foundation at the site. The slogans emphasize pride in the Orange Mound community and its high school, Melrose. A brightly-colored mural a few blocks away carries a timely message: “Dreams Matter, We Matter”. Just north of the railroad tracks, the historic Beltline neighborhood is celebrated in a building-length mural on the wall of a grocery store. In Binghampton, the artwork near the basketball courts celebrates the game of basketball, for which The Hamp is known, being the neighborhood of Anfernee Hardaway. But perhaps the most striking effort was the long series of murals on the inside flood wall along Chelsea between McLean and Evergreen in the Evergreen neighborhood. The different panels celebrate many different aspects of hip-hop culture or Memphis culture, with the word “REVIVAL” prominently featured in the first one. It is an appropriate slogan for a city that is long overdue for renewal.
I was really not familiar with Tawanna Campbell at all, but I was in Little Rock on business, and saw that she was performing at the Afterthought Bistro and Bar, which is Little Rock’s oldest jazz club, and that her drummer was Cliff Aaron, so I decided to swing by and check out the show before driving back to Memphis. The band was first rate (Cliff is an amazing drummer) and Tawanna Campbell proved to be a great vocalist and an exquisite show personality on stage. The crowd was engaged through both sets, and unlike so many neb-soul shows, I was amazed at how diverse the crowd was- young and old, Black and white. The Afterthought is a wonderful venue, and this particular Friday night show was worth coming from Memphis to see.
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Monuments, memorials and murals are common to cities. All cities have histories, and important events and people are often honored with statues, parks, buildings or other public markers. But few cities have such things to commemorate a form of music. Yet over the last several months (because it wasn’t there in November), a brick wall behind the Circle Food Store in New Orleans was remade into a colorful and beautiful tribute to bounce music, New Orleans’ most recently created musical genre. Since bounce is a DJ-based music, there is of course a DJ in the mural with turntables, as well as the “Wobbly, Wobbly, C’Mon” chant which is ubiquitous in most bounce music. It’s quite a cool thing to see along North Claiborne Avenue.
As I was driving toward downtown on Lamar Avenue, I noticed this mural on the wall of an old warehouse. I had not noticed it before, so I have a feeling that it is fairly recent, and I love the way it celebrates Memphis’ music legacy.
Memphis rap artist Preauxx and his friends painted this brightly-colored mural on the wall of the Midtown Market in the Cooper-Young neighborhood of Memphis. The mural was used in a video, and the convenience store’s parking lot has actually been the venue for concerts in Memphis.
Who’s the baddest? At least someone thinks that South Memphis is, and they took a fair amount of time to tell the world so on this wall at Mississippi Boulevard and McLemore Avenue, not far from the Stax Museum.