A few years ago, the Commercial Appeal newspaper compared Memphis to Austin in an article, a rather strange and forced comparison perhaps, despite the fact that both are music cities. When it comes to business, economy and culture, the two cities are nothing alike, but Memphis often seems envious of the kind of weirdness and success that Austin seems to represent. At any rate, over the last year, Memphis has witnessed the opening of two music venues that resemble the way things are done in Austin, Loflin Yard and now Railgarten. The similarities between them prove to be more than coincidence, as some of the same people are involved with both.
Anyone who has visited Austin during South By Southwest has probably been to Amy’s Ice Cream or the 24 Diner, both of which are located next to Waterloo Records at the central intersection of 6th and Lamar near downtown, and the developers of Railgarten seem to have patterned their location as a merger of Amy’s, 24 Diner and an outdoor-type music venue such as Austin’s Container Bar. The decision is an inspiring one indeed. First of all, Railgarten offers great food in their diner, breakfast items at certain hours, and gourmet burgers, including the one I had with a fried egg on top for good measure. Next door to that is an ice-cream parlor, that features homemade milkshakes as well. There is a ping-pong parlor in a building to the east, outside a volleyball court, and a lawn with fire-pits, as well as an outdoor stage made of shipping containers which incorporates the Skateland “Roller Skate For Health” neon sign from the legendary Summer Avenue skating rink of long ago. A food truck provides eats and snacks for those enjoying the outdoor music. All told, the fairly-large complex offers something for everyone.
ADDENDUM: Unfortunately, after my visit, all kinds of trouble broke out for this place. Local code enforcement, responding to complaints from the residential neighborhood north of the restaurant, hit Railgarten with “Do Not Occupy” warnings in April because of their use of shipping containers (despite the fact that the area is zoned industrial), and because they allegedly did not have a permit for live music. Further complaints to the Board of Adjustment stated that Railgarten did not have sufficient parking for a venue of its size. (It is worth noting that Austin did not have a problem with the Container Bar using shipping containers as part of its permanent building). As a result of the controversy, the backyard at Railgarten remains closed during a City Council-mandated 30-day delay before the Board of Adjustment can make a ruling as to whether it can reopen. The diner, ping-pong hall and ice cream parlor remain open under curtailed hours.
In 1958, record store owner Joe Coughi of Poplar Tunes in Memphis decided to start a record label, and he named it Hi Records, with the name taken from the last two letters of his name. Purchasing the Royal Theater on South Lauderdale, he converted it into a recording studio (Jim Stewart would do the same thing a year later with the nearby Capitol Theater on McLemore Avenue in forming Stax Records), and began recording country and rockabilly records. When Ruben Cherry and Celia Hodge’s Home of the Blues family of labels collapsed in 1962, producer Willie Mitchell was briefly without a musical home, but he soon ended up producing for Coughi at the Royal Studios, which he eventually purchased. Hi Records soon moved from recording rockabilly and country to recording blues, soul and gospel, particularly the work of such greats as Al Green, O.V. Wright, Don Bryant, Ann Peebles, Otis Clay and Syl Johnson. The Hi label was eventually sold to Al Bennett in California, but the Royal Studios continued under Willie Mitchell. As Stax collapsed and the Memphis recording industry with it, Royal continued on, and today, under Willie Mitchell’s son Boo, has become a world-famous institution. So it was only fitting that Royal Sound Studios should celebrate with a block party for the surrounding South Memphis neighborhood on the street now called Willie Mitchell Boulevard, and all the more so as Boo Mitchell announces to the world the launch of Royal Records, a label based out of the venerable Memphis studios. The first act for the fledgling label is a rap duo called Lil Riah and Key Money, both of whom are members of the Mitchell family, and who were the featured performers at the block party. But attendees also enjoyed performances by Memphis veterans Al Kapone and Frayser Boy as well as the Royal Studio Band, and there was plenty of good food from local food trucks, including hand-crafted ice cream pops from the good folks at Mempops. Even Memphis Mayor Jim Strickland came to pay his respects.
I was looking for a frozen yogurt place (and Atlanta is full of them) but they all seemed to have closed already, as it was a weeknight. So when I saw Jeni’s Ice Cream in the Westside Atlanta area, the first thing I noticed was that it was open, and even crowded. And the second thing I recalled was that I had eaten Jeni’s Ice Cream once before, from a food truck on a South by Southwest parking lot in Austin. But the permanent stores have far more flavor choices (such as the peanut-buttery Buckeye State which I ordered) than the trucks, and the all-natural ingredients make for great flavor and texture. I also have to notice and appreciate the later hours than most other Atlanta frozen dessert shops, which means that when most places are closed, Jeni’s is likely still open. The Ohio-based company makes its ice creams with only natural ingredients and flavors, and is definitely worth a visit. In addition to the Atlanta store, Jeni’s can be found across Ohio and in Nashville, Tennessee. When all else fails, it can also be ordered online and shipped to you where you live.