I had not planned on going to the Beale Street Music Festival this year, since I wasn’t particularly pleased with the line-up, and also I hadn’t been able to get a press pass last year, and didn’t even try to this year. But when a friend of mine who works for Rockstar Energy Drinks posted on Facebook that he was giving away tickets, I decided to go, asked him for two of them and invited a friend from college to go with me. By the time I had picked her up (and the tickets), it was nearly 10 o’clock, so I figured we would only get to see one act. I wasn’t at all interested in the hard rock groups on the bigger stages, and nobody was on the Blues Shack stage, but when we got to the Blues Tent, a band was coming on stage called Robert Randolph and the Family Band.
Although they were a Black band, they featured a young man playing the steel guitar, an instrument usually associated with country music, and so I knew that they were from Florida. The phenomenon of Black steel guitar is pretty much unique to the state of Florida, and largely in one denomination of church, the House of God. Robert Randolph in fact began his music career in the House of God, and told an interviewer that he was completely unfamiliar with secular music before he began collaborating with Mark Medeski and the North Mississippi All-Stars.
What Jimi Hendrix was to the electric guitar, Robert Randolph is to the pedal steel. His flexibility and inventiveness with the instrument is absolutely amazing, and his repertoire is extremely diverse, from gospel standards to blues and even rock. And he is a consummate showman, exhorting the crowd to get them involved. He calls his band the Family Band, and that’s not just a name, as most of the musicians are actually relatives of Robert. At the end of the set at 11 PM, the Blues Tent was still standing room only. The band performed one final encore at the crowd’s demand, and the Friday night of the Beale Street Music Festival ended with a standing ovation for about five minutes straight.